In my first movie ranking back in 2023, 12 out of the 26 movies on my list belonged to the horror genre (46%); the following year, 18 out of 35 were horror (51%); this year, 22 out of 36 were categorized as horror (though there are a couple that I personally wouldn’t describe as that genre), bringing the statistic to a record high 61%. But did the quality match the quantity? Let’s dive in to my thoughts on every 2025 movie I’ve watched in the past 365 days!
36. Honey, Don’t!
The atrocious reviews weren’t enough to deter me from wanting to watch a movie about Margaret Qualley in a sapphic relationship with my favorite actress, Aubrey Plaza. But the reviews were right: this film was, objectively, terrible. The clothing, cars, and buildings made it seem like the setting was the 70s or maybe 80s, but these aesthetics clashed loudly with the use of modern smartphones. I’m no dialect coach, but the characters’ accents were noticeably inconsistent. This is a less pressing issue, but if the subtitles are to be believed, several of the songs in the score were performed by Margaret Qualley, which is odd considering she hasn’t really established herself as a singer. It felt like a weird plug for the lead actress’s musical projects. Most frustrating of all, however, was the fact that nothing was resolved. No answers were provided for why exactly the girl in the car was killed, the twist involving Aubrey Plaza’s character and Honey’s niece made no sense and was given no explanation, and the ending for Chris Evans’s character was abrupt and anticlimactic. Participating in this project is frankly so embarrassing for the big name stars involved.
35. Love Me
Although this movie first premiered in 2024, I’m including it in this ranking because its theatrical release was in 2025. I watched it on a whim during a flight from Ireland and actually found a lot of it very charming. But when Me and Iam made themselves into avatars, the appeal mostly faded. The premise of a buoy and a satellite falling in love in a post-apocalyptic setting was cute and intriguing, but it didn’t have much room to progress and would have worked better for a short film. I also wouldn’t really call what Me and Iam experienced “love,” though that was probably the point.
34. Bambi: The Reckoning
Even though I listed this as my most anticipated movie of 2025, I wasn’t necessarily expecting it to rank in my Top 5 of the year. At the same time, however, I was surprised and disappointed to see it land in my Bottom 5. It wasn’t all bad: there were some incredibly gnarly kills, and for an independent film the CGI on Bambi was INSANELY good; he looks horrifically real. Unfortunately, their whole CGI budget clearly went to the titular character, because there’s a point where Bambi’s son is quite obviously a stuffed toy. It looked so pathetic, it gave me secondhand embarrassment for the filmmakers. In addition, I know there are better ways I could word this, but frankly, the ending straight up sucked. I was all for the premise of Bambi seeking vengeance on the humans that killed his mother and wife, but in the end—and this is a MAJOR SPOILER—he meets the exact same fate. I suppose they were going for a narrative on the cycle of violence, since Bambi’s son witnesses his father’s death just like Bambi witnessed his mother’s, but it was just so damn SAD. If they’re going to subvert the fairytale into something anyway, couldn’t they have also made it less depressing while they were at it?!
33. Wolf Man
It felt like this movie had a lot of potential that it just never reached. There was absolutely NO chemistry between Blake and his wife Charlotte; I know they were supposed to be going through a difficult time in their marriage, but it felt like they hardly even knew each other. I was not even remotely convinced when Julia Garner’s character told her husband that she loves him and he’s her best friend. While the close relationship between Blake and his daughter Ginger was portrayed well, there was really only one scene in the whole movie where all three of them actually seemed like a family. Blake’s transformation into the Wolf Man felt anticlimactic, and his fight with the creature that turned him in the first place was underwhelming.
32. Locked
The villain in this film is basically Saw‘s John Kramer if he was a grouchy British man who hated the younger generations and used right-wing terminology like “snowflakes.” The movie dragged quite a bit; watching Bill Skarsgård die of thirst and starvation can only be entertaining for so long. I couldn’t tell if I wanted his character to escape because they did a good job making the audience feel bad for him (he immediately won me over by sharing water with a dog) or because I was just ready for the movie to be over. At least the ending was satisfying.
31. I Know What You Did Last Summer
I had never seen the original I Know What You Did Last Summer, so I didn’t feel any particular way about a remake coming out beyond general excitement for another slasher movie to watch. It turned out to be not much more than that. The twist was predictable and the kills weren’t particularly unique. Some of the dialogue was downright ridiculous, and I can’t tell if this was intentional or not; regardless, I got a good laugh out of it.
30. Peter Pan’s Neverland Nightmare
Another entry in the Poohniverse, this spin on Peter Pan’s story is neither the dumpster fire that is Winnie The Pooh: Blood & Honey nor the unexpected banger that is its sequel. The lore was underdeveloped and left too many unanswered questions. Why does Peter not have any genitals? What exactly did his mother do to him as a child? How and why did James become Hook? What did Peter do for the 15 years between his kidnappings? Even just five more minutes of explanation would have bumped my rating up at least half a star. I also can’t decide if the trans representation was well done or atrocious. Still, Martin Portlock was phenomenal as Peter and I hope he finds his way into a bigger production one day. Plus I got a kick out of one of the characters wearing a Winnie The Pooh: Blood and Honey t-shirt; gotta appreciate a shameless plug!
29. Jurassic World: Rebirth
I am a simple woman: The Jurassic World franchise drops a movie, I watch it. I just think dinosaurs are so freaking neat. I go into these movies with no expectations beyond seeing some badass CGI creatures, and they always deliver. Even though I enjoyed myself based on my very low standards, the movie wasn’t especially spectacular. A common complaint that I’ve seen and agree with is the choice to make some hybrid “dinosaur” that didn’t look anything like a dinosaur at all. Making a hybrid that combined the traits of existing dinosaurs still would have been unnecessary, but it would have at least made more sense than creating some eldritch monster. Also, why are we STILL ignoring the fact that dinosaurs had feathers, even in 2025? As for the plot, I frankly was not interested in the Delgado family’s storyline. The boyfriend was obnoxious (though he does eventually redeem himself), and as cute as it was for the little girl to find a baby dinosaur, it felt a bit gimmicky. I will say it was cool to see how society was dealing with dinosaurs returning to the ecosystem, but we only got a glimpse of this in the beginning. I think I might have preferred a movie focused on that rather than a dangerous adventure – though I suppose that wouldn’t have made for much of an action movie.
28. The Fantastic Four: First Steps
A friend of mine said that he thought there should have been one more Fantastic Four movie before this one, and I agree with him. I guess Marvel was in such a rush to introduce The Fantastic Four to their Cinematic Universe that, while most of their other heroes get an entire movie dedicated to their origin story, this team’s history was reduced to a mere 10-or-so minute prologue. If this hypothetical prequel movie was of the same quality as this one, though, the lack of its existence is no big loss. I guess I’ve put too much thought into the trolley thought experiment, because as soon as the premise of a movie is “we can save billions of people by sacrificing one individual but we’re going to try to save that individual anyway” all I can think about is how logically speaking it makes no sense for one person’s life to be equivalent to literal billions of others, and I find it hard to believe that this is an uncommon mentality. Even more ridiculous than the entire world being so willing to accept putting the whole planet in danger for the sake of one baby was the Fantastic Four’s solution to the problem. I know superhero movies are meant to be fantastical and represent a world different from reality, but come on, you’re telling me that four of the allegedly smartest people on the planet couldn’t come up with a better solution than moving the entire Earth? The movie was visually fun, but I was just too caught up being jaded by the premise of the plot to really enjoy it.
27. V/H/S Halloween
I honestly forgot I watched this movie until I went back through my 2025 watchlist. I had never seen any of the movies in the V/H/S franchise (although they have been on my watchlist for a while), so when I saw a Halloween edition was coming out I watched the first two. It’s hard to compare these movies to each other since they’re all anthologies, but in terms of general quality I rated Halloween higher than the first two, even though the segments weren’t quite as memorable. The overarching theme across most of the V/H/S Halloween segments was basically “eff those kids.” While violently offing children has become less of a taboo in horror movies, it’s still shocking to see – and we see a lot of it in this anthology. I’m not sure how I feel about the framing narrative for this one being its own segment rather than a narrative about someone discovering the “tapes” containing the footage that makes up the anthology; I haven’t seen five of the films in the franchise, though, so I don’t know if this is the first one to depart from that format or not.
26. One Battle After Another
Action movies aren’t really my thing, but the glowing reviews and Oscar buzz convinced me to squeeze this movie in before publishing this ranking. I don’t really have much to say about it beyond many moments were genuinely hilarious, and it was a well-done political satire that exaggerated both sides of the American political spectrum.
25. 10DANCE
I wanted to like this movie a lot more than I did. The pacing was poor, and the setting changed so often I was never entirely sure which country they were in at any given time except for when it was explicitly mentioned. The tension between the two love interests could have been stronger, and the progression of their relationship felt forced and inauthentic. I was honestly more interested in the friendship between their dance partners. The reaction of the crowd when Sugiki asked Suzuki to dance with him was far too tame for something that would surely be viewed as scandalous and controversial. The ending was also frustratingly abrupt: how could they end the film without showing the competition that is literally the title of the movie? I almost feel like this would have been better as a mini series.
24. Thunderbolts*
I was already biased in favor of this movie due to having a crush on both Florence Pugh and David Harbour, but I actually really did enjoy it. While the depression allegory (if you can even call it that, with how blatant it was) was a little on-the-nose, it was handled well and gave the movie deeper meaning. It was also very funny throughout. I didn’t realize this was the final movie in Phase Five of the Marvel Cinematic Universe until after watching the movie (I used to follow the MCU super closely, but I sort of fell off in the past few years), but it set up Phase Six nicely.
23. Mickey 17
Objectively speaking, this movie was far better than a lot of the movies I ranked above it – I even gave it more stars on Letterboxd. But I just didn’t enjoy it quite as much as the campy horror movies you’ll find closer to the top of my ranking. The political commentary was extremely timely (Mark Ruffalo’s character, intentionally or otherwise, shares many traits of both Donald Trump and Elon Musk) while still being exaggerated enough so as not to be especially bleak. In addition, the titular character is just so darn endearing and charmingly pathetic.
22. The Monkey
Although my Letterboxd reviews are rarely in-depth, at the very least they tend to be witty. My review for The Monkey, however, simply reads, “Jesus Christ.” Because that was all I could think when I came out of this movie. All of the deaths were so brutal I couldn’t help but laugh at the sheer insanity of them. This film is gory dark comedy at its finest.
21. Heart Eyes
This was the first 2025 movie I watched, and what a way to start the year! Heart Eyes is a hilarious blend of the slasher and romcom genres. You can read my full review of the film here.
20. Superman
I read multiple reviews calling this the most comic-book-like live action film in a long time, and describing it as a love letter to readers of the comics. As someone who has admittedly never read a western comic book a day in my life, I think that’s why this movie didn’t quite blow me away. The biggest appeal to me was the inclusion of Krypto, since I grew up watching the Krypto The Superdog cartoon (plus I just LOVE dogs, and the mixed breed that plays Krypto in this movie reminds me a bit of my own dog). I enjoyed the realistic depiction of how easily mankind could (and would) turn on a hero with nothing but goodness in his heart based on unsubstantiated rumors, especially if that savior is an outsider. I’m interested to see where James Gunn takes his new DC universe with Supergirl in June.
19. Silent Night, Deadly Night
As much as I loved Heart Eyes, my favorite holiday-themed horror of the year is definitely the new Silent Night, Deadly Night. I watched the original 1984 film for the first time last year after being intrigued by how the book Final Girl Support Group by Grady Hendrix described one (attempted) kill from that franchise, and honestly, I enjoyed this remake MUCH more. It paid a lot of homages to the original film while still telling a new story. I actually really loved the decision to make Billy’s killings supernatural rather than just psychological (which is ironic considering this is the exact opposite of how I feel about the Terrifier franchise making the same choice in its second and third movies). Plus, Billy and Pam just might be my favorite couple from any slasher movie ever.
18. Bring Her Back
I once saw Bring Her Back referred to as “the feel bad movie of the year,” and I would definitely say that’s an accurate description. This film pulled no punches both with gore and emotion; no characters are safe. There was one particular scene (if you’ve watched the movie, I bet you can guess which one) where I had to completely look away. I even felt woozy at one point. It’s also worth mentioning that the ending shot is so horrifically sad and memorable.
17. Death of a Unicorn
I know I should catch a lot of flack for ranking this higher than one of the objectively best horror films of the year, but I have to be honest with myself: I unironically LOVED this movie. I will always, 100% of the time, root for the animal, monster, or mythical creature that is being harmed by humans, so naturally I very much enjoyed watching unicorns seek bloody revenge on greedy humans. I also feel in my soul that if I were to encounter a mythical creature, I would be like Jenna Ortega in this movie and the creature would just intuitively trust me and spare my life. But I digress. Bambi: The Reckoning may have been a colossal disappointment, but at least I got to see ONE movie about hellbent bloodthirsty hooved animals with a super satisfying ending in 2025.
16. The Long Walk
While the deaths in The Monkey were hyperbolic to the point of being hilarious, the deaths in Stephen King’s other 2025 horror blockbuster were devastatingly sad. I wasn’t surprised to see a Stephen King adaptation be categorized as “horror,” but after seeing The Long Walk I don’t feel as if this label is entirely accurate. There was certainly plenty of gore and suspense, but the feeling it stirred in the audience was less fear and more dread. The ending was horrifically bleak and seems to send the message that a broken system cannot be fixed even if a good person is given the chance to make a positive change. This is a hard pill to swallow when we’re so used to being told that one person can change the world. With the current political climate in the United States, this message is not an uplifting one – but unfortunately it feels like a realistic and relevant one.
15. 28 Years Later
I have to admit that I’d never even heard of, let alone watched, 28 Days/Weeks Later until I saw the trailer for Years. Said trailer freaked me out so badly I knew I just HAD to see this movie. However, while not NEARLY as disappointing as Bambi: The Reckoning (drinking game: take a shot every time I mention how much that movie disappointed me), this was another movie that didn’t quite live up to the intensity of its trailer. I expected to be scared sh*tless; what I did not expect was that I would be crying real tears in the theater. Seeing people transform into monsters or die violent bloody deaths is par for the course in zombie movies, so to watch someone in this genre suffering from the very real disease of cancer was a shock to the system. Based on the ending scene I suspect The Bone Temple is going to have a drastically different tone, so I’m really looking forward to its release later this month.
14. Good Fortune
They say laughter is the best medicine, so a comedy like this was just what the doctor ordered for 2025. My mom and I are both big fans of Parks & Recreation, so when I saw that Aziz Ansari would be directing and starring in a new movie I convinced my mom to go see it with me, and we both had a blast. “Adorable” is not normally an adjective I would use to describe Keanu Reeves, but that is exactly what he was in this movie. The speech he gave about dogs’ rights has been added to my library of random movie quotes I will now whip out in conversations. Beneath all the comedy, however, is a poignant and relevant social commentary on class disparity.
13. Found Footage: The Making of The Patterson Project
As soon as the credits started rolling on this film, I said “That rocked” out loud to myself. That’s how much fun I had watching it. I love the melodrama of a mockumentary and the pseudo-realism of found footage, so combining the two was an immediate hit in my book. So much of this movie was ridiculous in the best way possible and it catered to my sense of humor perfectly. The horror elements built up bit by bit throughout the film until exploding all at once and concluding in an extremely grim ending that greatly juxtaposed how funny the movie was overall.
12. Good Boy
As an avid animal lover, I was immediately drawn to the concept of a horror movie told from the dog’s perspective and looked forward to this movie for months. It did not disappoint. Even though the director said in the post credits behind-the-scenes that Indy the dog was not acting and his “performance” was just the result of years of piecing together luckily obtained shots, he certainly had me fooled. Whether it was due to a talented canine actor or ingenious editing, I could intensely feel that dog’s every emotion. When my soul dog passed away, I knew I would never love another dog as fiercely as I loved her, and while this is still true, Good Boy made me look at my current dog in a different light and even love and appreciate him a bit more. It’s not often that a movie has such an impact on my personal life, so I feel like that’s one of the highest praises I can give a filmmaker.
11. Together
When I was getting out of my car on the way into this movie, I heard someone in the car parked next to me telling their friend how they just watched Together and it was actually more of a comedy than a horror. I wouldn’t say I agree with this assessment, but this person was right in saying that this movie was way funnier than expected. It was like a romcom gone gloriously, morbidly wrong. It was so disgusting, yet also so hilarious.
10. Weapons
If I had to describe Weapons in one word, I would say “wild.” I unfortunately think I would have enjoyed this movie a lot more if it hadn’t been hyped up so much for me beforehand. The bar was set so incredibly high that anything less than perfection fell short of expectations. Still, I can recognize why so many people are calling it the best horror movie in decades. The segmented storytelling was unique, and though I admittedly wasn’t a huge fan of this format while watching it, looking back I do see its merits. Like Together, Weapons was unexpectedly really funny; but unlike Together, it was also super sad at times. You can read my colleague Martin’s review of Weapons here.
9. KPop Demon Hunters
From the day this movie came out, I couldn’t open any social media platform without seeing at least one post about it every day for a month straight. I even had friends express genuine shock when they found out I hadn’t seen it yet. With that kind of hype, how could I not watch it? I admit that when I finally got around to watching KPop Demon Hunters, I wasn’t majorly impressed; I could understand the hype, but it was just a little too… cringe for my tastes (and I hate to use that word because I mean, come on, I’m an anime nerd. I AM cringe). The humor didn’t land with me and I wasn’t buying the romantic subplot. All that being said… I’m ranking it so highly because I haven’t stopped thinking about it since. The music is INSANELY good and quickly ended up in my On Repeat on Spotify, where it has remained for months on end. As undeveloped as the characters seemed (especially the Saja Boys besides Jinu), they really did all make individual impressions. And the fandom is just so much fun! You can catch me liking fanart and singing something off the soundtrack pretty much every day, and one of my 2026 cosplans is a genderbent version of Baby Saja.
8. Companion
Movies that come out in January are usually doomed to fail, but there are exceptions to every rule. While I wasn’t very impressed with last year’s Sophie Thatcher horror flick (Heretic), Companion was one of my favorite films of 2025. Despite not having “comedy” listed as one of its genres on Letterboxd, it was laugh-out-loud hilarious. There was also an unexpected side romance that brought tears to my eyes despite the lack of focus on them. Plus, the movie sparked a long philosophical discussion with my significant other regarding whether or not androids have souls and go to Heaven or Hell (because if a person is truly in love with an android and we’re reunited with our loved ones in Heaven, wouldn’t that person want their android lover to be with them in the afterlife?).
7. Bugonia
Never in a million years would I have expected this movie to land in the Top 10 of my 2025 ranking. I wasn’t particularly interested in seeing it, but I had several hours to kill before parent teacher conferences at my day job and this was the only film playing at a time that fit in my schedule. To be honest, for the first hour or so, I was not impressed at all. I even checked my phone at one point, which I NEVER do in a movie theater, ever. But I was frankly growing bored. So why in the world am I ranking it so highly, if this order is based off of how much I enjoyed the movies? Because the second half was so wild, I can’t stop thinking about it. One shocking moment abruptly changed the tone and trajectory of the movie, and it just kept on running without slowing down. I experienced mental whiplash flipping back and forth between “This guy is obviously insane and she’s clearly not an alien” and “Wait, is she actually an alien?!” Then the ending was so freaking bleak it’s almost laughable. If you have the patience to make it through an hour of mediocrity, the second half of Bugonia makes this film so very worth watching.
6. The Ugly Stepsister
When I was a senior in high school, I played the Stepmother in Into The Woods. My absolute favorite scene to do was when I used a prop cleaver to chop off the toe of one stepsister and the heel of the other and pantomime throwing their chunks of flesh to the audience. It was hilarious. That same scene in this Danish adaptation of the Cinderella story, however, was far from funny. I will always be glad for horror retellings of fairy tales, especially because the original source material for so many of them is horrific. But this movie went beyond the horror of the stepsisters mutilating their feet in the original fairy tale and created a whole masterpiece of body horror. The feeling of disgust was especially perpetuated by the abundance of insect imagery, from the maggots on Cinderella’s father’s rotting corpse to the silk worms repairing her dress to, by far the most disturbing, the several-foot-long tapeworm. I also appreciate that this narrative isn’t a complete subversion in which the stepsisters are good and Cinderella is evil; instead, the movie does an excellent job of making us feel sympathy for both parties while also making it clear that they are flawed. Everyone knows how the story ends, but it’s far from a happily ever after when you think about how much the stepsisters (specifically Elvira) suffered behind the scenes. To add insult to injury, this Cinderella isn’t even in love with the prince that Elvira sacrificed so much to be with: she just needed his money so she could finally afford a funeral for her father.
5. Final Destination Bloodlines
Although I only started watching the Final Destination movies in 2023, I feel like I’ve known them for at least a decade, and this newest addition to the franchise felt like a love letter to all its predecessors. In addition to Easter eggs referencing older films, Bloodlines also served up several new morbid and memorable deaths. I’m not a very touchy-feely person, but I found myself smacking, squeezing, and clinging to my poor friend and fellow Fandom Spotlite writer Hailey throughout the movie – but only when my hands weren’t occupied with covering my mouth as it gaped in shock. I incidentally had an MRI the day after watching this movie, and when I told the nurse about the MRI scene she said their supervisor had actually sent out a notice to all MRI technicians advising them to be on the lookout for increased patient anxiety due to that specific scene. How’s that for a cultural impact?!
4. Sinners
This movie was so incredible that even my degree in Literature is failing to help me find the words to describe it. Sinners is a delicious blend of historical fiction and horror, punctuated by chillingly powerful music. This short review may make it seem as though there’s not much to be said about the film, but the opposite is true: this movie is so awe-inspiring, you just have to see it to believe it. You can read my colleague Martin’s review of Sinners here.
3. Frankenstein
If this ranking was based on a film’s objective quality, Guillermo del Toro’s Frankenstein would likely have landed in the #1 spot, and I’m honestly embarrassed to place it lower than the two whimsical movies that I’ve ranked above it. But these placements are primarily based on how much I personally enjoyed the films, and I cannot lie to my own heart. But I digress. After how let down I felt after last year’s Nosferatu, I was a bit guarded going into this year’s big Victorian novel adaptation. Thankfully, Frankenstein was far more to my tastes. I’m not normally one to particularly notice costume and set design, yet I was immensely struck by both of these. The acting was incredible from all parties, and I sincerely hope Oscar Isaac and Jacob Elordi will be recognized with Oscar nominations later this month.
2. Wicked: For Good
With the first movie claiming the top spot in my 2024 movie ranking, For Good had some huge shoes to fill. But I never had any doubt that I would love the sequel, and I was right. The “No Good Deed” scene, from Cynthia Erivo’s incredible vocals to the breathtaking scenery, had me trembling; I would argue that it was even more powerful than “Defying Gravity” in the previous film (and that’s a big claim coming from me, considering I have a tattoo of “Defying Gravity” lyrics). But Ariana Grande really stole the spotlight this time around, right from the beginning. Her performance of “Thank Goodness” in particular struck me straight to the core, but she was incredible in every single scene. On the flip side, Michelle Yeoh’s performance was strangely subpar, as if she no longer cared about being in this movie. Nevertheless, this highly anticipated sequel met my extremely high standards, and I cried at least five times throughout.
1. Zootopia 2
When I told one of my coworkers at my day job about the annual movie ranking I make, she asked if Wicked: For Good was my #1. This was several months before the movie came out, so I told her I couldn’t make that decision until I saw it, but that it would inevitably be my #1 for 2025 just as its prequel was my #1 for 2024. I did not expect it to be dethroned at all, but I especially did not expect it to be dethroned by freaking Zootopia. The original Zootopia never meant anything special to me; I watched it for the first time four years after it came out, and not even of my own accord – I was a substitute paraprofessional at the time and the class I was in watched it at the end of the year. I wasn’t even completely committed to seeing the sequel in theaters. But since the original is one of fellow Fandom Spotlite writer Hailey‘s all time favorites, I wanted to experience the second one with her. I was left in utter shock by just how much I enjoyed it. The litany of random pop culture references had me shrieking with laughter every single time, and the Scream-like plot twist made me gasp out loud. Gary De’Snake is so precious and Ke Huy Quan was the absolute perfect actor to voice him. Patrick Warburton was a welcome addition to the cast as well. My biggest critique is that when Gary asked “Permission to hug?” the first time, he said it in a way that felt like this was a callback to an established catchphrase even though it was a new line, making me think an important scene had been cut from earlier in the movie. Nevertheless, while I had no particular interest in Zootopia 2, I loved it so much that I’m now eagerly awaiting Zootopia 3 (which is teased in the post-credit scene). You can read Hailey’s review of Zootopia 2 here.
What were your favorite movies of 2025? Let me know in the comments!
To read my thoughts on the films Demon Slayer: Kimetsu no Yaiba Movie – Infinity Castle: Part 1, Chainsaw Man: The Movie – Reze Arc, and 100 Meters, check out my 2025 anime ranking!
